Δευτέρα 3 Φεβρουαρίου 2025
TUBULAR BELLS Mike Oldfield 🇬🇧🧬 Studio Album, released in 1973 Tracks Listing 1. Tubular Bells, Part 1 (25:36) 2. Tubular Bells, Part 2 (23:20) Total Time 48:56 Line-up / Musicians - Mike Oldfield / grand piano, organs (Farfisa, Lowrey, Hammond), glockenspiel, mandolin, bass, acoustic, electric, fuzz, Spanish & speed guitars, honky-tonk piano, assorted percussion, flageolet, tubular bells, concert timpani, guitars sounding like bagpipes, choir conductor, co-producer With: - John Field / flutes - Lindsay Cooper / string basses - Steve Broughton / drums - Mundy Ellis / chorus - Sally Oldfield / chorus - Nasal Choir / chorus (1) - Manor Choir / chorus (2) - Vivian Stanshall / voice of "Master of Ceremon Free Prog Rock ies" & "Sailor's Hornpipe"
Klaus Schulze (4 August 1947 – 26 April 2022) was a German electronic music pioneer, composer and musician. He also used the alias Richard Wahnfried and was a member of the Krautrock bands Tangerine Dream, Ash Ra Tempel, and the Cosmic Jokers before launching a solo career consisting of more than 60 albums released across six decades.
Κυριακή 2 Φεβρουαρίου 2025
Genesis are among the biggest selling recording artists of all time and one of Britain's most internationally renowned bands. Watch classic Genesis videos right here on the official channel and keep up-to-date with the latest releases! *WATCH GENESIS' OFFICIAL MUSIC VIDEOS* • Genesis Official Music...
Σάββατο 1 Φεβρουαρίου 2025
Somebody to Love · Jefferson Airplane Surrealistic Pillow ℗ Originally released 1967. All rights reserved by RCA Records, a division of Sony Music Entertainment Released on: 1967-02-01 Composer, Lyricist: Darby Slick Vocal: Grace Slick Background Vocal, Tambourine: Marty Balin Guitar: Jorma Kaukonen Guitar: Paul Kantner Bass: Jack Casady Drums: Spencer Dryden Producer: Rick Jarrard Engineer: Dave Hassinger
1° febbraio 1967: esce il secondo album dei Jefferson Airplane "Surrealistic Pillow". Lato A 1. She Has Funny Cars 2. Somebody to Love 3. My Best Friend 4. Today 5. Comin’ Back to Me Lato B 6. 3/5 of a Mile in Ten Seconds 7. D.C.B.A. – 25 8. How Do You Feel 9. Embryonic Journey 10. White Rabbit 11. Plastic Fantastic Lover Line Up Marty Balin (Voce, Chitarra) Grace Slick (Voce, Piano, Organo, Flauto) Jorma Kaukonen (Chitarra, Cori) Paul Kantner (Chitarra, Cori) Jack Casady (Basso, Chitarra) Spencer Dryden (Batteria, Percussioni) Musicisti Ospiti Jerry Garcia (Chitarra su tracce 4, 5, 11) Roba da Rocker
Trump said the quiet part violently out loud: He wants to “clean out” #Gaza, aka forcibly remove millions of Palestinians from their own land. His genius plan? Put them in #Egypt and Jordan because, in his words, “we do a lot for them and they’re going to do it.” This isn’t foreign policy. This is textbook ethnic cleansing.The U.S. has always supported #Israel’s genocidal policies—Trump is just saying it in blunter, less diplomatic language. @mondoweiss. Carlos Latuff
Παρασκευή 31 Ιανουαρίου 2025
So Sad · Marianne Faithfull Dangerous Acquaintances ℗ 1981 Island Records, a division of Universal Music Operations Limited Released on: 1981-01-01 Studio Personnel, Mixer: Ed Thacker Producer: Mark Miller Mundy Composer Lyricist: Barry Reynolds Composer Lyricist: Stephen David York Composer Lyricist: Marianne Faithfull
Marianne Faithfull performs 'Working Class Hero' - a track from 'Dreaming My Dreams' DVD. Filmed at Sessions at West 54th in 1999. Lyrics: As soon as you're born they make you feel small By giving you no time instead of it all Till the pain is so big you feel nothing at all A working class hero is something to be A working class hero is something to be They hurt you at home and they hit you at school, They hate you if you're clever and they despise a fool Till you're so fucking crazy you can't follow their rules A working class hero is something to be A working class hero is something to be When they've tortured and scared you for twenty odd years Then they expect you to pick a career, But you really can't function you're so full of fear A working class hero is something to be A working class hero is something to be Keep you doped with religion and sex and TV And you think you're so clever and classless and free But you're still fucking peasants as far as I can see A working class hero is something to be A working class hero is something to be There's room at the top they are telling us still But first we must learn how to smile as we kill If we want to live like the folks on the hill A working class hero is something to be A working class hero is something to be A working class hero is something to be A working class hero is something to be _____ #MarianneFaithfull #WorkingClassHero #Live
Πέμπτη 30 Ιανουαρίου 2025
Tολμούμε να ελπίζουμε! Ο καθένας ας κάνει αντίσταση ποιότητος! Εκεί που βρίσκεται. Μα είσαι γιατρός, μα είσαι ερευνητής, μα είσαι μουσικός, μα είσαι οτιδήποτε, καλλιτέχνης: Μη συμφιλιωθείς με τη μετριότητα! Κάνε αντίσταση ποιότητος! Αρχιεπίσκοπος Αλβανίας Αναστάσιος Γιαννουλάτος (1929-2025) Τα Τετραθεμελα ΤΟΥ Κοσμου
Poseidon's Creation · Eloy Ocean ℗ A Vertigo Berlin recording; ℗ 1977 Universal Music GmbH Released on: 1977-10-26 Producer: Frank Bornemann Producer: Eloy Studio Personnel, Recording Engineer: Georgi Nedeltschev Studio Personnel, Mixer: Günther Felix Beyer Composer: Frank Bornemann Composer: Klaus-Peter Matziol Composer: Detlev Schmidtchen Composer Lyricist: Jürgen Rosenthal
OCEAN Eloy Studio Album, released in 1977 Tracks Listing 1. Poseidon's Creation (11:44) 2. Incarnation of the Logos (8:25) 3. Decay of the Logos (8:21) 4. Atlantis' Agony at June 5th - 8498, 13 P.M. Gregorian Earthtime (15:41) Musicians - Frank Bornemann / acoustic, electric & effect guitars, lead vocals, co-producer - Detlev Schmidtchen / Mellotron, Hammond, Minimoog & ARP synths, RMI keyboard computer, xylophone, voice - Klaus-Peter Matziol / fretless basses, backing vocals - Jürgen Rosenthal / drums, timbales, rototoms, temple blocks, kettledrums, flute, chimes With: - "The Boys Of Santiago" / chorus vocals (1)
JANUARY 1972 (53 YEARS AGO) Ry Cooder: Into the Purple Valley is released. # ALL THINGS MUSIC PLUS+ 4.5/5 # Allmusic 4.5/5 Into the Purple Valley is an album by Ry Cooder, released in January, 1972. It reached #113 on the Billboard 200 Top LP's chart. Ry Cooder was a respected session musician prior to launching a solo career. His distinctive style blossomed fully on this, his second album, which is a brilliant compendium of American country/folk styles. With an emphasis on eclecticism, intricate syncopations and dazzling slide guitar and mandolin work, Ry Cooder’s “Into The Purple Valley” remains one of the artist’s most intriguing and influential albums. While the LP’s tune stack ranges from the charming calypso strains of “F.D.R. in Trinidad” to a dark-hued version of Woody Guthrie’s “Vigilante Man,” “Into The Purple Valley” also highlights little known songs of the Dust Bowl era, rediscovered and reworked by Cooder with distinctive and authentic musical touches. A virtuoso on virtually every string instrument – from Mexican tiple to Middle Eastern saz to Hawaiian “Slack Key” Guitar – Ry Cooder began his musical career in the early ‘60’s as part of the burgeoning Los Angeles folk scene. In 1966 he formed the Rising Sons with Taj Mahal, going on to record of debut albums by Captain Beefheart and Little Feat. A legendary studio musician, Cooder played with a wide range of artists, from Randy Newman to Crazy Horse to the Rolling Stones. He made notable contributions to the latters 1969 release “Let It Bleed,” providing the central riff to the group’s smash hit “Honky Tonk Woman” in the process. 1969 was also the year Cooder landed a solo recording contract with Reprise Records. His debut album, “Ry Cooder” (1970), showcased his trademark slide guitar and encyclopedic musical influences. “Ry Cooder” was followed, in late 1972, with “Into The Purple Valley.” Produced by Lenny Waronker and Jim Dickinson, “Into The Purple Valley” takes its theme from the epic journey of Dust Bowl farmers west to California. Evoking an almost forgotten period of American history with such songs as “How Can You Keep Moving (Unless You Migrate Too),” “Taxes On The Farmer Feed Us All,” and “Vigilante Man,” the LP established Cooder’s credentials as both a respected musicologist and richly talented artist. Other standout cuts on “Into The Purple Valley” include Johnny Cash’s “Hey Porter,” Leadbelly’s “On A Monday” and a definitive reworking of the standard “Billy The Kid,” featuring Cooder’s unparalleled mandolin playing. __________ COVER NOTES With an emphasis on eclecticism, intricate syncopations and dazzling slide guitar and mandolin work, Ry Cooder's Into The Purple Valley remains one of the artist's most intriguing and influential albums. While the LP's tune stack ranges from the charming calypso strains of "F.D.R. In Trinidad" to a dark-hued version of Woody Guthrie's "Vigilante Man", Into The Purple Valley also highlights little known songs of the Dust Bowl era, rediscovered and reworked by Cooder with distinctive and authentic musical touches. A virtuoso on virtually every string instrument - from Mexican tiple to Middle Eastern saz to Hawaiian 'slack key' guitar - Ry Cooder began his music career in the early '60s as part of the burgeoning Los Angeles folk scene. In 1966 he formed the Rising Sons with Taj Mahal, going on to record on debut albums by Captain Beefheart and Little Feat. A legendary session musician, Cooder played with a wide range of artists, from Randy Newman to Crazy Horse to the Rolling Stones. He made notable contributions on the latter's 1969 release, Let It Bleed, providing the central riff to the group's smash hit "Honky Tonk Woman" in the process. 1969 was also the year Cooder landed a solo recording contract with Reprise Records. His debut album, Ry Cooder (1970), showcased his trademark slide guitar and encyclopedic musical influences. Ry Cooder was followed, in late 1972, with Into The Purple Valley. Produced by Lenny Waronker and Jim Dickinson, Into The Purple Valley takes its theme from the epic journey of Dust Bowl farmers west to California. Evoking an almost forgotten period of American history with such songs as "How Can You Keep Moving (Unless You Migrate Too)", "Taxes On The Farmer Feeds Us All" and "Vigilante Man", the LP established Cooder's credentials as both a respected musicologist and richly talented artist. Other standout cuts on Into The Purple Valley include Johnny Cash's "Hey Porter", Leadbelly's "On A Monday" and a definitive reworking of the standard "Billy The Kid" featuring Cooder's unparalleled mandolin playing. __________ ORIGINAL ROLLING STONE REVIEW Obviously a man of tood taste and sensibility. On his second album, Into the Purple Valley, he's had the smarts to include an instrumental, "Great Dreams From Heaven," by the little-known but highly-regarded and almost legendary Bahamian Master of Sand and Conch, Joseph Spence, which certainly goes to show that Cooder has not only attended the graduate department of the College of Musical Knowledge, but that he's been doing his homework as well. And besides the great merit that accompanies the inclusion of this little bit of Spenciana, Ry Cooder sure can play the fuckin' bucket! As well as dress too! As attested to by the neat 1942 two-button pin-striper he's sporting on the inside cover, worn over a ritzy Aloha barf shirt (vintage 1935) that's open at the neck and which is set off by a pair of properly scuffed 1938 Miami Floaters (which brings to mind all the superstitions and taboos about wearing dead men's shoes). All this and he's still standing in front of an incredible Commie-yellow 1939 Buick convertible with one flat white-wall and his arm around a smiling sylph whose lips are parted as if in invitation to who-knows-what? Very plucky. Inside we find a good record which, like its marvelously overstated jacket, is terribly reminiscent of the bad old days, the Thirties. "How Can You Keep On Moving (Unless You Migrate Too)" is a traditional Depression Era ditty of uncertain parentage that, like the other traditional songs on this album, Cooder has adapted for a slide guitar and small rock and roll group arrangement. The songs on this album that come to us from the Depression all seem very timely in the context of 1972, which is pretty funny because one would have thought we'd be through with all that bullshit by now but, fakeout on us, we're not, and Ry has had the sense to show how music and words that were written 40 years ago still apply to the ridiculously awful conditions with which people are forced to live. "Billy The Kid" is also a traditional though apolitical number that gives Ry a chance to show off some handsome plucking of the mandolin and also the fine small band that was assembled for this record–Jim Keltner and Milt Holland on percussion, producer Jim Dickinson on piano, and Chris Ethridge on bass. "Money Honey" is an old Jesse Stone number that is the rocker of this album; Ry gets off some incredibly beautiful slide guitar licks that show the source of his reputation as a legendary sideman. The song has a funky stop-time beat and a throaty chorus, and if there's a single on this LP, voila. What follows is a hilarious morsel of calypso pre-reggae nonsense called "F.D.R. in Trinidad" which is about Roosevelt's visit to the Land of the Hummingbird in 1943, and which is probably the only song ever written whose words explicitly mention Cordell Hull. What a treat! Washington Phillips' immortal and touching "Denomination Blues" rounds out the side with Jim Dickinson doing a nice job on celeste, a suitably muted and blowzy horn section, and Ry distinguishing himself with his bizarre voice (he sounds like one of the Carpathian Wolves). Side two opens with far-and-away the best cut on this album, Hudie Ledbetter's all time paean to lowdownness, "On A Monday," which is highlit by some more chunky slide stuff from Ry. Next a haunting version of Johnny Cash's "Hey Porter," slowed down some and spiced with a lovely, soulful mandolin accompaniment that counts as one of the best things that Ry has ever put down on wax. The aforementioned "Great Dreams From Heaven" follows, a gorgeous, simple piece for guitar that Ry plays with grace and understanding. Its composer, Joseph Spence, has an old, hard-to-come-by album on Elektra, and if you're interested in folkways, I'd suggest a listen. The playing and singing of music took some bizarre turns down there in the Bahamas, and good for Ry for picking it up. "Taxes On The Farmer Feeds Us All" sounds like an old Wobbly drinking song and features Van Dyke Parks on piano. The song is given a somewhat light treatment, but there's a lot happening in the words and they should be listened to, especially in these frightening days of Creeping Agribusiness. The last cut is Woody Guthrie's "Vigilante Man," and all I can say is Thank God musicians are still listening to Guthrie and playing his songs. They continue to say more about America today than those of anybody else. As for Ry Cooder, it's good to know that there are musicians around who are still dealing with reality. And it's good to know that he's still doing those terrific, uncanny things with his instrument. Good record. (RS 103) ~ Stephen Davis (March 2, 1972) TRACKS: Side one "How Can You Keep Moving (Unless You Migrate Too)" – 2:25 "Billy the Kid" (Traditional) – 3:45 "Money Honey" (Jesse Stone) – 3:28 "FDR in Trinidad" (Fitz Maclean) – 3:01 "Teardrops Will Fall" (Dickey Doo, Marion Smith) – 3:03 "Denomination Blues" (George Washington Phillips) – 3:58 Side two "On a Monday" (Leadbelly) – 2:52 "Hey Porter" (Johnny Cash) – 4:34 "Great Dream from Heaven" (Joseph Spence) – 1:53 "Taxes on the Farmer Feeds Us All" (Traditional) – 3:52 "Vigilante Man" (Woody Guthrie) – 4:15 #rycooder
Τετάρτη 29 Ιανουαρίου 2025
«Η αγάπη, μάνα, για την πατρίδα δεν είναι η γελοία αγάπη για τη γη ούτε για το χορτάρι που πατάνε τα πόδια μας είναι το άσβεστο μίσος γι’ αυτόν που την καταπιέζει είναι η αιώνια έχθρα γι’ αυτόν που της επιτίθεται…» "Θα πεθάνω με το πρόσωπο στον ήλιο" Ο ποιητής και κορυφαίος μαχητής της Κουβανικής ανεξαρτησίας Ο Χοσέ Μαρτί γεννήθηκε στις 28 Ιανουαρίου του 1853 και απεβίωσε στις 19 Μαΐου του 1895. Υπερασπίστηκε την πατρίδα του Κούβα, τη «δική του Αμερική» και αφοσιώθηκε σε αυτήν τη μεγάλη υπόθεση. Αυτός ο αστός και Ισπανός κατά την καταγωγή δεν ζητούσε μόνο την αναδιανομή του πλούτου και των περιουσιών. Ήξερε πως η κοινωνία που οραματίζεται απαιτεί και έναν νέου τύπου άνθρωπο. Ο Χοσέ Μαρτί, ποιητής και κορυφαίος μαχητής της Κουβανικής ανεξαρτησίας, είναι από τις πλέον εμβληματικές φυσιογνωμίες της ιστορίας της Κούβας. Αποτέλεσε σημείο αναφοράς και έμπνευσης για τους ηγέτες της Επανάστασης στο νησί και ιδιαίτερα για τον Τσε Γκεβάρα και τον Φιντέλ https://syllogosgk.blogspot.com/2013/01/blog-post.html?fbclid=IwY2xjawIGBL9leHRuA2FlbQIxMAABHTbNxwZtum9uaHvfSuRzBJgUPy-EaNuHZUA47TYyXty1-yoD7WOY90xMBQ_aem_5_773d2A2B7a8eYwwgfpZQ Φυσάει αδιαφορία, κοινωνικοπολιτικά θέματα
Τρίτη 28 Ιανουαρίου 2025
Δευτέρα 27 Ιανουαρίου 2025
Κυριακή 26 Ιανουαρίου 2025
Movin' In (2002 Remaster) · Chicago Chicago II ℗ 1970 Rhino Entertainment Company, a Warner Music Group Company. Audio Recording Engineer: Brian Ross-Myring Audio Recording Engineer: Chris Hinshaw Drums: Danny Seraphine Audio Recording Engineer: Donald Puluse Trombone: James Pankow Producer: James William Guercio Trumpet, Vocals: Lee Loughnane Bass Guitar: Peter Cetera Vocals: Peter Cetera Audio Recording Engineer: Robert Honablue Keyboards, Vocals: Robert Lamm Guitar: Terry Kath Lead Vocals: Terry Kath Clarinet, Flute, Saxophone, Vocals: Walter Parazaider Writer: James Pankow
ART AND MUSIC" "be quiet" ＡＮＤ ＥＮＪＯＹ ＴＨＥ ＭＵＳＩＣ！ Plus de 320.000 visiteurs sur cette blogspot: (search on Google) morganflag Google Blogger. Avant Garde Music. Performing Arts. Satire/ Parody. 100.000 grazie! a tutti quelli che la sequono... Please Rate and Comment. Merci de votre fidélité . Morganflag Facebook & #GoogleBlogger La musique donne une âme à nos coeurs et des ailes à la pensée. PLATON
Σάββατο 25 Ιανουαρίου 2025
Dunluce (Part 1) · Gary Moore After The War ℗ 1989 Virgin Records Limited Released on: 1989-01-01 Associated Performer, Vocalist, Guitar: Gary Moore Studio Personnel, Mixer: Duane Barron Studio Personnel, Engineer, Additional Mixer: Ian Taylor Associated Performer, Keyboards, Background Vocalist: Neil Carter Producer: Peter Collins Associated Performer, Bass ( Vocal): Bob Daisley Associated Performer, Drums: Cozy Powell Composer Lyricist: Gary Moore
Παρασκευή 24 Ιανουαρίου 2025
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